<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6197592285213663319</id><updated>2012-02-15T23:38:28.470-08:00</updated><title type='text'>supervalorizados</title><subtitle type='html'>Filmes que todo mundo adora e reverencia... exceto uma pessoa: eu.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://grandes-filmes-2.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6197592285213663319/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://grandes-filmes-2.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Pierre W.</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://2.bp.blogspot.com/_BC4QyXDcVCU/TQOE0vjua8I/AAAAAAAAAfs/g0zzyKk28Ro/S220/031.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6197592285213663319.post-4504761031338429787</id><published>2007-03-11T19:33:00.000-07:00</published><updated>2008-10-11T19:32:59.817-07:00</updated><title type='text'></title><content type='html'>&lt;div align="left"&gt;&lt;span style="font-family:trebuchet ms;color:#990000;"&gt;&lt;strong&gt;E eis aqui uma listinha em ordem alfabética de filmes que "eu não acho isso tudo".&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;color:#990000;"&gt;&lt;strong&gt;Na verdade, são títulos premiadíssimos, quase sempre citados em listas de críticos importantes ou da imprensa especializada, e que não me agradaram tanto. Produções que, a meu ver, foram supervalorizadas, embora nem todas sejam ruins; algumas são até boas, mas consagradas de modo excessivo. &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;color:#990000;"&gt;&lt;strong&gt;Lógico que há uma infinidade de filmes muito piores, nem um pouco brilhantes, mas que são, digamos, passáveis... aceitáveis (embora tampouco mereçam estar na minha relação de recomendados). &lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;color:#990000;"&gt;&lt;strong&gt;Não vejo interesse em pôr aqui filmes que todo mundo considera péssimos (que graça teria?). O que pretendo é apenas expressar minha discordância quanto à opinião de muitos outros cinéfilos que, porventura, amem os títulos a seguir mencionados. Naturalmente, nunca existirá unanimidade em se tratando de um assunto como esse. É inevitável que uma lista assim passe pelas preferências do autor...&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#990000;"&gt;::::::::::::::::::::::::::::::::::::::::::&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;span style="color:#000000;"&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; 2046: OS SEGREDOS DO AMOR (2046)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:Trebuchet MS;color:#000000;"&gt;&gt;&gt; ADEUS AO SUL (nanguo zaijan, nanguo)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; AMNÉSIA (memento)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; ANO PASSADO EM MARIENBAD, O (l'année dernière à marienbad) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; ANTES DO ANOITECER (before night falls)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; À QUEIMA-ROUPA (point blank)&lt;br /&gt;&gt;&gt; A UM PASSO DA ETERNIDADE (from here to eternity)&lt;br /&gt;&gt;&gt; ALPHAVILLE (alphaville) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; AMANTES (love streams)&lt;br /&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; AMANTES CONSTANTES (les amants réguliers)&lt;/span&gt;&lt;br /&gt;&gt;&gt; AMARCORD (amarcord)&lt;br /&gt;&gt;&gt; AMIGAS, AS (le amiche)&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; AMORES EXPRESSOS (chung hing sam lam)&lt;br /&gt;&gt;&gt; ASAS DO DESEJO (der himmer über berlin)&lt;br /&gt;&gt;&gt; ATALANTE, O (l'atalante)&lt;br /&gt;&gt;&gt; AVENTURA NA ÁFRICA, UMA (the african queen)&lt;br /&gt;&gt;&gt; AVENTURAS DE TOM JONES, AS (tom jones)&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; BADALADAS À MEIA-NOITE (falstaff / chimes at midnight)&lt;br /&gt;&gt;&gt; BANZÉ NO OESTE (blazing saddles)&lt;br /&gt;&gt;&gt; BARBARELLA (barbarella)&lt;br /&gt;&gt;&gt; BARCO E NOVE DESTINOS, UM (lifeboat)&lt;br /&gt;&gt;&gt; BAS-FONDS (les bas-fonds)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; BEIJOS E TIROS (kiss kiss bang bang)&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&lt;br /&gt;&gt;&gt; BELEZA AMERICANA (american beauty)&lt;br /&gt;&gt;&gt; BESTA HUMANA, A (la béte humaine)&lt;br /&gt;&gt;&gt; BOM PASTOR, O (going my way)&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; BONEQUINHA DE LUXO (breakfast at tiffany's)&lt;br /&gt;&gt;&gt; BOULEVARD DO CRIME, O (les enfants du paradis) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; CAÇADORES DA ARCA PERDIDA, OS (raiders of the lost ark)&lt;br /&gt;&gt;&gt; CADA UM VIVE COMO QUER (five easy pieces)&lt;br /&gt;&gt;&gt; CAIS DAS SOMBRAS (le quai des brumes)&lt;br /&gt;&gt;&gt; CAMINHOS PERIGOSOS (mean streets)&lt;br /&gt;&gt;&gt; CARMEN NA ÁFRICA (u-carmen e-khayelitsha)&lt;br /&gt;&gt;&gt; CARTA DE UMA DESCONHECIDA (letter from an unkown woman)&lt;br /&gt;&gt;&gt; CASSINO (casino)&lt;br /&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; CÉLINE ET JULIE VONT EN BATEAU (céline et julie vont en bateau) &lt;/span&gt;&lt;br /&gt;&gt;&gt; CENTRAL DO BRASIL (central do brasil)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; CINZAS NO PARAÍSO (days of heaven)&lt;/span&gt;&lt;br /&gt;&gt;&gt; CLUBE DOS CAFAJESTES (national lampoon's animal house)&lt;br /&gt;&gt;&gt; CONTATOS IMEDIATOS DO 3º GRAU (close encounters of the third kind) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; CONTRA A PAREDE (gegen die wand)&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; CORAÇÃO SELVAGEM (wild at heart)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; CORAÇÃO VALENTE (braveheart)&lt;br /&gt;&gt;&gt; CUPIDO É MOLEQUE TEIMOSO (the awful truth)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; DANÇANDO NAS NUVENS (it's always a fair weather)&lt;/span&gt;&lt;br /&gt;&gt;&gt; DANÇANDO NO ESCURO (dancing in the dark)&lt;br /&gt;&gt;&gt; DEMÔNIO DAS 11 HORAS, O (pierrot le fou)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; DEPOIS DAQUELE BEIJO (blow up)&lt;br /&gt;&gt;&gt; DEPOIS DO VENDAVAL (the quiet man)&lt;br /&gt;&gt;&gt; DESPEDIDA EM LAS VEGAS (leaving las vegas)&lt;br /&gt;&gt;&gt; DEUS E DIABO NA TERRA DO SOL (deus e diabo na terra do sol) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; DIABO PROVAVELMENTE, O (le diable problabement)&lt;br /&gt;&gt;&gt; DIA EM NOVA YORK, UM (on the town)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; DIA NAS CORRIDAS, UM (a day at the races)&lt;/span&gt;&lt;br /&gt;&gt;&gt; DIABO A QUATRO (duck soup)&lt;br /&gt;&gt;&gt; DIABO RIU POR ÚLTIMO, O (beat the devil)&lt;br /&gt;&gt;&gt; DILEMA DE UMA VIDA, O (il deserto rosso)&lt;br /&gt;&gt;&gt; DÍVIDA DE SANGUE (cat ballou) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; DOCE PÁSSARO DA JUVENTUDE (sweet bird of youth)&lt;br /&gt;&gt;&gt; DOGVILLE (dogville)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; E ÉRAMOS TODOS JOVENS (hairspray)&lt;br /&gt;&gt;&gt; E SUA MÃE TAMBÉM (y su mama también)&lt;br /&gt;&gt;&gt; ECLIPSE, O (l'eclisse) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; EL DORADO (el dorado)&lt;br /&gt;&gt;&gt; EMBRIAGUEZ DO SUCESSO, A (sweet smell of success)&lt;br /&gt;&gt;&gt; ENCONTROS E DESENCONTROS (lost in translation)&lt;br /&gt;&gt;&gt; ENGUIA, A (unagi) &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; ERA DO GELO, A (ice age)&lt;/span&gt;&lt;br /&gt;&gt;&gt; ERA UMA VEZ NA AMÉRICA (once upon a time in america)&lt;br /&gt;&gt;&gt; ERIN BROKOVICH (erin brokovich)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; ESPORTE FAVORITO DOS HOMENS, O (man's favorite sport)&lt;/span&gt;&lt;br /&gt;&gt;&gt; ESQUECIDOS, OS (los olvidados) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; ESTRANHAS COISAS DE PARIS, AS (elena et les hommes)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; ETERNOS DESCONHECIDOS, OS (i soliti ignoti)&lt;br /&gt;&gt;&gt; ET, O EXTRA-TERRESTRE (et, the extra-terrestrial)&lt;br /&gt;&gt;&gt; EVANGELHO SEGUNDO SÃO MATEUS, O (il vangilo secondo matteo)&lt;br /&gt;&gt;&gt; FACA NA ÁGUA (nóz w wodzie)&lt;br /&gt;&gt;&gt; FALCÃO MALTÊS: RELÍQUIA MACABRA (the maltese falcon)&lt;br /&gt;&gt;&gt; FÉRIAS DO SR. HULOT, AS (les vacances de m. hulot)&lt;br /&gt;&gt;&gt; FOGO CONTRA FOGO (heat) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; FOME DE VIVER (the hunger)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; FORTUNA DE COOKIE, A (cookie's fortune)&lt;/span&gt;&lt;br /&gt;&gt;&gt; FRANKENSTEIN (frankenstein) &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; GALANTE E SANGUINÁRIO (3:10 to yuma)&lt;/span&gt;&lt;br /&gt;&gt;&gt; GILDA (gilda)&lt;br /&gt;&gt;&gt; GOLPE DE MESTRE (the sting)&lt;br /&gt;&gt;&gt; GOSTO DE SANGUE (blood simple) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; GRANDE TESTEMUNHA, A (au hazard baltazar) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; GRITOS DO SILÊNCIO, OS (the killing fields)&lt;br /&gt;&gt;&gt; GUERRA NAS ESTRELAS (star wars)&lt;br /&gt;&gt;&gt; HAMLET (hamlet) &lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;br /&gt;&gt;&gt; HISTÓRIA DE ADÈLE H., A (l'histoire d'adèle h.)&lt;br /&gt;&gt;&gt; &lt;span style="color:#000000;"&gt;HONRA DO PODEROSO PRIZZI, A (prizzi's honor)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; HORA DO LOBO, A (vargtimmen)&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; IDIOTAS, OS (idioterne)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; IMPÉRIO DOS SENTIDOS, O (ai no corrida)&lt;br /&gt;&gt;&gt; INDOCHINA (indochine)&lt;br /&gt;&gt;&gt; INFÂNCIA ROUBADA (tsotsi)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; INFERNO Nº 17 (stalag 17)&lt;br /&gt;&gt;&gt; INVASÕES BÁRBARAS, AS (les invasion barbares) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; IRMÃOS CARA-DE-PAU, OS (the blue brothers)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; ISTO É SPINAL TAP (this is spinal tap)&lt;br /&gt;&gt;&gt; JACKIE BROWN (jackie brown) &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; JARDIM DOS FINZI-CONTINI, O (il giardino dei finzi-contini)&lt;/span&gt;&lt;br /&gt;&gt;&gt; JEJUM DE AMOR (his girl friday)&lt;br /&gt;&gt;&gt; JOVEM FRANKENSTEIN, O (young frankenstein)&lt;br /&gt;&gt;&gt; KING KONG (king kong)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; KUNDUN (kundun)&lt;br /&gt;&gt;&gt; LADRÃO DE CASACA (to catch a thief)&lt;br /&gt;&gt;&gt; LADY VINGANÇA (chinjeolhan geumjassi)&lt;br /&gt;&gt;&gt; LONGA JORNADA NOITE ADENTRO (long day's journey into night)&lt;br /&gt;&gt;&gt; LOUCURAS DE VERÃO (american graffitti) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; LÚCIA E O SEXO (lucía y el sexo)&lt;br /&gt;&gt;&gt; MENTE BRILHANTE, UMA (a beautiful mind)&lt;br /&gt;&gt;&gt; MAMMA ROMA (mamma roma)&lt;br /&gt;&gt;&gt; MAR ADENTRO (mar adentro)&lt;br /&gt;&gt;&gt; MARIDOS, OS (the husbands)&lt;br /&gt;&gt;&gt; M*A*S*H (m*a*s*h)&lt;br /&gt;&gt;&gt; MENTIRAS DE GUERRA (underground)&lt;br /&gt;&gt;&gt; MEU JANTAR COM ANDRÉ (my dinner with andre)&lt;br /&gt;&gt;&gt; MEU TIO DA AMÉRICA (mon oncle d'amérique) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; MINHA VIDA SEM MIM (my life without me) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; MISHIMA (mishima: a life in four chapters)&lt;br /&gt;&gt;&gt; &lt;span style="color:#000000;"&gt;MISTÉRIO DA TORRE, O (the lavander hill mob)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; MOSCOU NÃO CRÊ EM LÁGRIMAS (moskva slezam ne verit) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; MOULIN ROUGE: O AMOR EM VERMELHO (moulin rouge)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; MULHER E O ATIRADOR DE FACAS, A (la fille sur le pont)&lt;br /&gt;&gt;&gt; MULHER É UMA MULHER, UMA (une femme est une femme) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; MULHER PARA DOIS, UMA (jules et jim)&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; MULHER SOB INFLUÊNCIA, UMA (a woman under the influence)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; NA COMPANHIA DE HOMENS (in the company of men)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; NASHVILLE (nashville)&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; NINGUÉM PODE SABER (dare mo shiranai)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; NÓS, QUE NOS AMÁVAMOS TANTO (c'eravamo tanto amati) &lt;/span&gt;&lt;br /&gt;&gt;&gt; NOSSO BARCO, NOSSA ALMA (in which we serve) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; OLDBOY (oldboy)&lt;br /&gt;&gt;&gt; O QUE É ISSO, COMPANHEIRO? (o que é isso, companheiro?) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; ORFEU NEGRO (orfeu negro)&lt;br /&gt;&gt;&gt; PACIENTE INGLÊS, O (the english pacient&lt;br /&gt;&gt;&gt; PAISÀ (paisà)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; PAIXÃO PERIGOSA (diva)&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:Trebuchet MS;"&gt;&gt;&gt; PELE DE ASNO (peau d'âne)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; PELLE, O CONQUIStADOR (pelle erobreren)&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; PIANISTA, O (the pianist) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; PLATA QUEMADA (plata quemada)&lt;br /&gt;&gt;&gt; PLATOON (platoon)&lt;br /&gt;&gt;&gt; POLTERGEIST: O FENÔMENO (poltergeist)&lt;br /&gt;&gt;&gt; QU4TRILHO, O (o qu4trilho)&lt;br /&gt;&gt;&gt; RAJADA DE BALAS, UMA (bonnie and clyde)&lt;br /&gt;&gt;&gt; REIS DO IÊ-IÊ-IÊ, OS (a hard day's night)&lt;br /&gt;&gt;&gt; RESGATE DO SOLDADO RYAN, O (saving private ryan) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; RIO SAGRADO, O (the river)&lt;br /&gt;&gt;&gt; ROCKY HORROR PICTURE SHOW (the rocky horror picture show)&lt;br /&gt;&gt;&gt; SEDUÇÃO DA CARNE (senso) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; SEM DESTINO (easy rider)&lt;br /&gt;&gt;&gt; SEXTO SENTIDO, O (the sixth sense) &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; SHAMPOO (shampoo)&lt;br /&gt;&gt;&gt; SHAKESPEARE APAIXONADO (shakespeare in love)&lt;br /&gt;&gt;&gt; SHOAH (shoah) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; SHREK (shrek)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; SÍNDROME DA CHINA, A (china syndrome)&lt;br /&gt;&gt;&gt; SINFONIA DE PARIS (an american in paris)&lt;br /&gt;&gt;&gt; SOBRE MENINOS E LOBOS (mystic river)&lt;br /&gt;&gt;&gt; SONHOS (yume)&lt;br /&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; SONHOS DE UM SEDUTOR (play it again, sam) &lt;/span&gt;&lt;br /&gt;&gt;&gt; SORTE NO AMOR (bill durham)&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; TABU (tabu: a story of the south seas)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; TAMBOR, O (die blechtrommel)&lt;br /&gt;&gt;&gt; TÉCNICA DE UM DELATOR (le doulos)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;&gt;&gt; TEMPO DE GLÓRIA (glory)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Trebuchet MS;"&gt;&gt;&gt; TERCEIRO TIRO, O (the trouble with harry)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; TERRA DE NINGUÉM (badlands)&lt;br /&gt;&gt;&gt; TERRA E LIBERDADE (land and freedom)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&lt;span style="color:#000000;"&gt;&gt;&gt; TERRA EM TRANSE (terra em transe)&lt;/span&gt;&lt;br /&gt;&gt;&gt; TIRO NO ESCURO, UM (a shot in the dark)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Trebuchet MS;color:#000000;"&gt;&gt;&gt; TIROS NA BROADWAY (bullets over broadway)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; THELMA E LOUISE (thelma and louise)&lt;br /&gt;&gt;&gt; TODAS AS MANHÃS DO MUNDO (tous les matins du monde)&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; TODOS OS HOMENS DO PRESIDENTE (all the president's man)&lt;br /&gt;&gt;&gt; TRAPAÇA, A (il bidone)&lt;br /&gt;&gt;&gt; TRENS ESTREITAMENTE VIGIADOS (ostre sledované vlaky)&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:trebuchet ms;color:#000000;"&gt;&gt;&gt; ÚLTIMA NOITE, A (the prairie home companion)&lt;br /&gt;&gt;&gt; ÚLTIMA SESSÃO DE CINEMA, A (the last picture show)&lt;br /&gt;&gt;&gt; ÚLTIMA TENTAÇÃO DE CRISTO, A (the last temptation of christ)&lt;br /&gt;&gt;&gt; ÚLTIMO TANGO EM PARIS, O (the last tango in paris)&lt;br /&gt;&gt;&gt; VENENO (poison)&lt;br /&gt;&gt;&gt; VENTO E AREIA (the wind)&lt;br /&gt;&gt;&gt; VIDA DE BRIAN, A (life of brian)&lt;br /&gt;&gt;&gt; VIRGEM POSSUÍDA, A (mouchette)&lt;br /&gt;&gt;&gt; VIVOS E OS MORTOS, OS (the dead)&lt;br /&gt;&gt;&gt; WEEKEND À FRANCESA (week-end) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:Trebuchet MS;color:#000000;"&gt;&gt;&gt; ZIEGFELD FOLLIES (ziegfeld follies)&lt;/span&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6197592285213663319-4504761031338429787?l=grandes-filmes-2.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6197592285213663319/posts/default/4504761031338429787'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6197592285213663319/posts/default/4504761031338429787'/><link rel='alternate' type='text/html' href='http://grandes-filmes-2.blogspot.com/2007/03/e-eis-aqui-uma-listinha-de-filmes-que.html' title=''/><author><name>Pierre W.</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='29' height='32' src='http://2.bp.blogspot.com/_BC4QyXDcVCU/TQOE0vjua8I/AAAAAAAAAfs/g0zzyKk28Ro/S220/031.jpg'/></author></entry></feed>
